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    Как получить галочку в инстаграм ?

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

    Как взять имя аккаунта в Инстаграм, которое уже занято?

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    Как взять имя аккаунта в Инстаграм, которое уже занято

    Сегодня в социальной сети Инстаграм зарегистрировано более миллиарда жителей нашей планеты. Именно столько активных пользователей каждый месяц регистрирует статистика. Как в таком количестве блогеров новичку найти возможность взять красивый ник в Инстаграм? Ведь большинство хороших имен уже занято.

    Пик популярности регистрации в соцсети приходился на 2018 год. Но и сегодня аудитория Инстаграм не спешит сокращаться. Конечно, многие из тех, кто когда-то вел свою страничку или коммерческий аккаунт, забросили это дело с течением времени. Чем осложнили жизнь новичкам, желающим зарегистрировать или купить ник в Инстаграм, который запоминался бы с первого раза. Совершая многочисленные попытки ввести очередное имя, пользователь сталкивается с тем, что оно уже занято.

    Регистрировать аккаунт со сложным и некрасивым никнеймом-плохая идея. Особенно, если дело касается раскрутки бренда. Это вопрос престижа на будущее. Ведь жизнь современника значительную часть суток проходит в Инстаграм. Так что же делать? Как взять имя аккаунта, которое занято? Есть ли возможность присвоить себе заброшенный ник в Инстаграм?

    Если верить информации в соцсети, если ник в Инстаграм уже занят другим пользователем, то новичку придется поискать альтернативу. Но есть исключение: заброшенный ник в Инстаграм будет считаться на том аккаунте, который давно не использовался. И если это длится долго, то система может удалить такую страницу из памяти. В этом случае красивый ник в Инстаграм станет доступным. Но ждать можно годами.

    Как взять имя аккаунта, которое занято?

    Этот вопрос чаще всего возникает у создателей коммерческих страничек для раскрутки разных брендов и магазинов вот пример goldenapple.ru а хотя они хотят такой ник goldenapple но он занят кем то и по правилам инстаграм они не могут его отдать другому

    Агентство 13 может решить этот вопрос и перенести любой заброшенный или удалены ник на ваш аккаунт без потери подписчиков и даже галочки ( ник от 5 букв )

    Регистрировать ники, которые содержат portnygin__ (символы___.____) это некрасиво. а вот так смотрится солидно portnyagin . Для раскрутки хорошей страницы, приносящую финансовую прибыль, нужен никнейм, который бы легко запоминался.  В таком случае возникает вопрос: а можно ли купить ник в Инстаграм? Оказывается, это реально.

    вам необходим красивый ник в Инстаграм. Он занят «мертвым» аккаунтом. Но это имя нравиться и идеально подходит для вас. Красивые имена ведь необходимы не только для коммерческих страниц. В этом случае ответ на вопрос «как взять имя аккаунта, которое занято» – один: приобрести.

    В нашей компании вы можете купить заброшенный ник в Инстаграм. Мы помогаем клиентам получить ник от пяти и больше букв, сохранить верификацию аккаунта, поставить его на ваш аккаунт. Наша компания предоставляет эксклюзивные услуги для требовательных и финансово состоятельных клиентов, которые понимают все преимущества правильного выбора ника в соцсети.

    Maxim Vlasov- The Producer Who Is Influencing The World For Good Starts

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    maxim vlasov
    maxim vlasov influencer

    The world is changing every minute. The Internet and Social Media play a big part in people’s lives. Everything you need to know, to find, to watch or to listen to, you can find it on The Internet. It is such an excellent opportunity for each of us. It gives us a chance that our ancestors did not even imagine.  People can build a great career, only having access to the Internet, motivation, and a little bit of imagination.

    So is the case of Maxim Vlasov. He is that person who has utilized this opportunity for his benefit, so he became a producer and an influencer.

    The Story From The Beginning

    Maxim Vlasov is born in Russia, Moscow. Being a young boy, he already knew that the discipline and knowledge would let him go further and higher. So, he was a very hard-working pupil, a determined one. All teachers knew that he would be a big personality, a creative one. Every time he impressed teachers and other adults with his words and thoughts. So, living in the heart of Russia, and knowing exactly what he wanted, helped him a lot to get what everyone dreams about: a successful career.

    Higher And Higher

    He is the founder and the owner of  “Agency 13”, which collaborates and manages models, actors, singers, artists and well-known celebrities as Dan Balan – a musician known for his band “O-Zone,” Kate Mtsituridze, Bogdee – a famous blogger, the photographer Natalia Manaenkova, Vlasova Varvara – a Russian model.

    Another awesome successful beginning in his life- was the 2010 year, when Maxim started working together with Roskino. It was a new experience that gave him more inspiration and fame.

    Thanks to his amazing work and talent, for a long time, he was also producing very well-known, glamourous and fancy magazines like “Playboy” Russia, Ukraine, Italy; “L’officiel” Baltics; “Vogue” Ukraine; “InStyle” Moldova; “Maxim” Africa; “GQ” Mexico.

    Due to his talent and personality, Maxim’s Instagram account counts now more than 811k devoted followers. People like him for his humanity, simplicity, and determination.

    Plans For The Future

    Now, Maxim is not stopping. He has a lot of new projects, and soon, we will find out what he is preparing for us. We know that he is already preparing some interesting projects with Russian and international magazines. We also know that, besides his school, he wants to launch another amazing project, but it is still a secret, so we are impatiently waiting. Another interesting collaboration, it is a new kind of project, with some foreign celebrities, that everyone knows and admires. Now, their names are kept secret, but soon, we will find out what the surprise is.

    Maxim is an example of how an influencer must be: hard-working, authentic, goal-oriented, and wise. We cannot say that his way to success was easy. No. He had a lot of trouble, a lot of inconveniences, but there is a thing that makes him different: he always knew that: if it’s easy, it’s not worthy. That’s why Maxim is optimistic, progressive, and trustworthy.

    You can follow Maxim in IG @supermax.

    Artists used deepfake tech to tell alternate moon landing history

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

    Lights that warn planes of obstacles were exposed to Open Internet

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

    Watch this ultra-hypnotic supercomputer simulation of galaxies feasting

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

    Fired Navy official writes op-ed about Trump’s meddling in Navy SEAL case

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

    People are driving through flames to escape this California wildfire

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

    Could a ‘youthquake’ cause Boris Johnson to lose the general election?

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

    Otto Warmbier’s parents want North Korea to suffer for their son’s death

    0

    Last week, news broke that James Dean will star in a new movie-64 years after his death. A production company called Magic City got the rights to Dean’s image from the late actor’s estate and plans to bring him to the silver screen again thanks to the wonder (or terror) of CGI. Now, Dean, or the digitally resurrected version of Dean or whatever, will play the second lead in a Vietnam War movie called Finding Jack, with a living actor standing in as his voice.

    Unsurprisingly, the announcement inspired a wave of immediate backlash around Hollywood. Chris Evans called it “awful” and “shameful,” and Elijah Wood said, simply, “NOPE.” But it turns out the intense reaction was surprising to at least one person: Magic City’s Anton Ernst, the Finding Jack director.

    Ernst told the Hollywood Reporter in a new interview that he’s gotten “positive feedback” about the movie and that the Dean estate has been “supportive,” saying it will inspire “a whole new generation of filmgoers to be aware of James Dean.” He didn’t see the overwhelming negativity coming. Per the Reporter:

    Ernst spoke with The Hollywood Reporter about the criticisms on social media, saying he was “saddened” and “confused” over the overwhelmingly negative comments. “We don’t really understand it. We never intended for this to be a marketing gimmick,” he said.

    He also brought up Carrie Fisher’s appearance in the new Star Wars as an example of a way this posthumous CGI work can be done well, apparently missing the difference between honoring Fisher’s legacy in a role she was already scheduled to play and plopping James Dean in some random war movie half a century after his death.

    When discussing whether resurrecting Dean digitally crosses a line with regards to posthumous casting, Ernst explained, “Anyone that is brought back to life – you have to respect them.” He noted Fisher’s posthumous appearances in the Star Wars franchise, saying that if the actress had expressed never wanting to be in a film after her death, or if her legacy or that of the franchise could be “tarnished” because of her casting, “then that should be a line.”

    “I think the line should be … you must always honor the deceased’s wishes and try to act in a way that is honorable and full of dignity,” Ernst said.

    Again, this is extremely different, since Dean could never have stated he didn’t want to appear in a film after his death because, uh, how would he have imagined that was even a possibility-but whatever. Finding Jack is still headed into production with an expected release on November 11, 2020, whether we like it or not.

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